ライフサイエンスコーパス: pitch

1 te of tissue vibration in the sound source ("pitch").

2 around a mediolaterally-oriented axis (i.e., pitch).

3 d with different auditory tones (high or low pitch).

4 ticular values of their features (e.g., high pitch).

5 r-normalized relative pitch but not absolute pitch.

6 hell thickness and p the cholesteric helical pitch.

7 is much larger than the filament's intrinsic pitch.

8 ows provide distance cues regardless of head pitch.

9 g impairment in the perception and memory of pitch.

10 cted by both the hole diameter and the array pitch.

11 (IHCs) in the newly identified mouse mutant pitch.

12 tion modulates protomer spacing and filament pitch.

13 ch information interferes with perception of pitch.

14 nducing local relaxation of the superhelical pitch.

15 a rotation-coupled sliding along DNA helical pitch.

16 to a tolerance of +/-0.032 nm in the period pitch.

17 nt structure and the macroscopic cholesteric pitch.

18 o and focus on two muscles controlling sound pitch.

19 hat result in superior time encoding for low pitches.

20 wo separate "auditory objects" with distinct pitches.

21 l conductivities for nanomeshes with smaller pitches.

22 m is often carried by instruments with lower pitches.

23 s with balanced harmonic-to-noise ratios and pitches.

24 ol was as follows: slice thickness 0.625 mm, pitch 1.3, gantry rotation 0.6 sec., scanning delay 1-2

25 lithographically defined patterns of narrow pitch (100 or 200 nm).

26 Tails are used by geckos to control pitch [4, 5] and by Anolis lizards to alter direction [6

27 study we examined the effect of static head pitch (-80 to +40 deg; 12 participants) and roll (-40 to

28 ials, including the crafting of a two-minute pitch - a valuable skill for all scientists.

29 sult of mechanical shortening of the helical pitch achieved by imposing a uniform uniaxial strain alo

30 d wookies as they were randomly modulated in pitch, adjusting his voice frequency up or down when the

31 terior temporal and temporoparietal areas in pitch amusia.

32 showed that female' reaction depends on call pitch, an important cue bearing size information.

33 rception with spatial periods of 180 deg for pitch and 360 deg for roll, which we explain is consiste

34 ge shifts in learned vocal features, such as pitch and amplitude, without grossly disrupting the song

35 The SPs have smaller mode pitch and different (often opposite) rotation velocity c

36 p between the acoustic parameters of vowels (pitch and formants) and cortical activity on a single-tr

37 eport outlines the relationship between core pitch and forward-error correction (FEC).

38 ion at these surfaces since both the grating pitch and incident angle can be used to modify the spect

39 the world-contrast and luminance for vision, pitch and intensity for sound-and assemble a stimulus se

40 pace or dot array patterns, depending on the pitch and linewidth of the prepattern.

41 oparticle single helices, varying in helical pitch and nanoparticle dimensions, that is assembled usi

42 ility, sampling structures with superhelical pitch and radius complementary to the major groove of B-

43 tigate the role of the left and right SMG in pitch and rhythm memory in non-musicians.

44 In each session participants completed a pitch and rhythm recognition memory task immediately aft

45 Parametric analyses of MBEA Pitch and Rhythm scores showed extensive lesion overlap

46 eech (IDS), a communicative code with unique pitch and rhythmic characteristics relative to adult-dir

47 ns in the macaque anterior thalamus tuned to pitch and roll orientation relative to gravity, independ

48 ipants were additionally examined at 180 deg pitch and roll orientations.

49 Monkey ERPs show early pitch and rule deviant mismatch responses that are strik

50 strate for the first time that both the CLCE pitch and the lasing wavelength are linearly dependent o

51 govern by the nonlinear superposition of the pitch and the number of blade element.

52 the left and right ear that yielded the same pitch and those that received the same frequency allocat

53 Pitch and timbre are two crucial aspects of auditory per

54 SIGNIFICANCE STATEMENT: Pitch and timbre are two crucial aspects of auditory per

55 Pitch and timbre are two primary dimensions of auditory

56 This study tested whether variations in pitch and timbre elicit activity in distinct regions of

57 While variations in pitch and timbre may negatively affect CI users' speech

58 synthesized pairs of voices that changed in pitch and timbre over random, intertwined trajectories,

59 Pitch and timbre variations perceptually interfered with

60 ris), using tone sequences that vary in both pitch and timbre.

61 We presented simultaneous high-pitched and low-pitched tones in an isochronous stream a

62 and aperiodic nanomeshes of the same average pitch, and reduced thermal conductivities for nanomeshes

63 lighting, words independently of volume and pitch, and smells independently of concentration.

64 brief sounds of rising, falling or constant pitches, and in the absence of visual information of the

65 on of acromial edema with incomplete fusion, pitching, and clinical findings was determined in the st

66 oughout the belts on the energy spectrum and pitch angle (angle between the velocity of a particle an

67 ity, instead relying on rapid changes in the pitch angle (wing rotation) at the end of each half-stro

68 uthally around Earth and display a butterfly pitch angle distribution of a minimum at 90 degrees furt

69 olution observation that a unusual butterfly pitch angle distribution of relativistic electrons occur

70 x evolution both in the energy and butterfly pitch angle distribution.

71 Our results indicate that the helical pitch angle of MreB inversely correlates with the cell d

72 ned with weak, but persistent, wave-particle pitch angle scattering deep inside the Earth's plasmasph

73 ng of the evolution of the electron flux and pitch angle show that electromagnetic ion cyclotron wave

74 e further probe the net collagen alpha-helix pitch angle within the gel mixtures using what is believ

75 han the commonly assumed isotropic) electron pitch-angle distributions, and we suggest that new model

76 The extracted pitch angles are consistent with those of peptide models

77 humans, are strongly biased to use absolute pitch (AP) in melody recognition.

78 Absolute pitch (AP) refers to the rare ability to identify the ch

79 ies-their ability to tell two tones close in pitch apart.

80 nition can generalize even in the absence of pitch, as long as the spectral shapes of the constituent

81 ctral coding is sufficient to elicit complex pitch at high frequencies has important implications for

82 gate the individual role of pillar structure pitch at millimeter scale, named as module wavelength, o

83 rstood rotational mechanisms that occur when pitching at the end of each half-stroke.

84 rtia about the roll and yaw axes but not the pitch axis.

85 When cholesteric pitch becomes short on the confinement scale, the knotte

86 Cochlear filtering and pitch both play key roles in our ability to parse the au

87 oreover, by designing surfaces with variable pitch but constant nanocrater dimensions, we were able t

88 ght STG induced "music arrest" and errors in pitch but did not affect language processing.

89 the encoding of speaker-normalized relative pitch but not absolute pitch.

90 lel to the helical axis and thus changes the pitch but preserves the single-harmonic structure.

91 X-ray structure reveals it to be a strongly pitched, C3-symmetric, molecular propeller.

92 We also show that nanocrater pitch can disrupt the formation of mature focal adhesion

93 flippers to perform maneuvers such as rolls, pitch changes and turns [1].

94 h autism have enhanced neural sensitivity to pitch changes in nonspeech stimuli but not to lexical to

95 estern music, melody is commonly conveyed by pitch changes in the highest-register voice, whereas met

96 st that the two dimensions of musical pitch, pitch class and pitch height, are mapped to the hue-satu

97 onic pitch classes that referred to the same pitch class with a different name produced color sensati

98 sensations according to the name of the base pitch class, e.g., a reddish color for do-sharp and a ye

99 Pitch class-color synesthesia represents a newly describ

100 ue/brightness) in 15 subjects who possessed "pitch class-color synesthesia".

101 We investigated how pitch classes (do, re, mi, etc.) are associated with the

102 t averaging of reported colors revealed that pitch classes have rainbow hues, beginning with do-red,

103 Enharmonic pitch classes that referred to the same pitch class with

104 Finally, an efficient uniform CNN pitch classification model for all five types of sample

105 accuracy rates of the SVM and CNN models for pitch classification were approximately 90% and were hig

106 The two primary theories of peripheral pitch coding involve stimulus-driven spike timing, or ph

107 ver, it remains possible that impairments in pitch coding within auditory cortex also contribute to t

108 us intracerebral haemorrhage enrolled in the PITCH cohort between Nov 3, 2004 and March 29, 2009, we

109 the Prognosis of Intracerebral Haemorrhage (PITCH) cohort who were admitted to Lille University Hosp

110 encases ssDNA in a helical filament of 103A pitch, comprising 6.4 protomers per turn, with a rise of

111 g their finger to be longer after the rising pitch condition.

112 mechanism by which WASP stimulates the short-pitch conformation and activates Arp2/3 complex.

113 ast Arp2/3 complex held in or near the short-pitch conformation by an engineered covalent cross-link

114 data indicate that stimulation of the short-pitch conformation is the critical activating function o

115 rophobic groove, thereby promoting the short-pitch conformation.

116 ow WASP stimulates movement toward the short-pitch conformation.

117 ates movement of Arp2 and Arp3 into a "short-pitch" conformation that mimics the arrangement of actin

118 Arp3 into an activated filament-like (short pitch) conformation.

119 masks the activating potential of the short-pitch conformational switch.

120 muli that gradually varied in their prosodic pitch contour (between statement and question) involved

121 ned to sentences that varied in intonational pitch contour, phonetic content, and speaker.

122 A pitch count of more than 100 pitches per week was shown

123 due to the lack of lexically important voice pitch cues and perhaps other qualities associated with w

124 enge conventional views regarding the use of pitch cues in nonhuman auditory sequence recognition.

125 In the pitch-detection task, the pitch deviants evoked an ERAN

126 In the click-detection task, the pitch deviants evoked an early right anterior negativity

127 In the pitch-detection task, the pitch deviants evoked an ERAN and P600 in controls but n

128 en's Mismatch Responses (MMRs) to equivalent pitch deviations representing within-category and betwee

129 rlying concurrent sound segregation based on pitch differences are poorly understood.

130 roached regarding its profile of musical and pitch difficulties.

131 grating structures in BCP films with a half-pitch dimension of 9.3 nm.

132 Here, we assessed 918 healthy volunteers for pitch discrimination abilities-their ability to tell two

133 out the use of timing information, we tested pitch discrimination of very high-frequency tones (>8 kH

134 Human listeners performed a syllable pitch discrimination task where two syllables served as

135 ce locations on a 4 x 4 raster array (50 mum pitch distance, ablation crater diameter of approximatel

136 d provide the rat with information about the pitch, distance, and yaw of a surface relative to its he

137 contact of each vibrissa and every possible (pitch, distance, and yaw) configuration of the head rela

138 We find that the presence of a roll or pitch ("distractor") stimulus reduces information transm

139 y in confined spaces of 100 nm diameter with pitch down to 500 nm.

140 convey emotion, such as modulations in base pitch (F0M) and pitch variability (F0SD).

141 ttractive feature of a CLC laser is that the pitch [Formula: see text] and thus the wavelength of las

142 imensionally periodic helical structure with pitch [Formula: see text] in the submicrometer and micro

143 The present study investigated how pitch frequency, a perceptually relevant aspect of perio

144 a handle to systematically tune the helical pitch from 80 to 130 nm; and (ii) influences the size, s

145 as precluded the possibility of dissociating pitch from brightness.

146 Pitch governs our perception of musical melodies and har

147 The next topic, pitch, has been debated for millennia, but recent techni

148 Although cortical regions responsive to pitch have been identified, little is known about how pi

149 he well-known crossmodal association between pitch height and value/brightness.

150 dimensions of musical pitch, pitch class and pitch height, are mapped to the hue-saturation plane and

151 ucleocapsid ring whose diameter, cavity, and pitch/height dimensions agree with EM data from early st

152 tion of HG with neural activity that encodes pitch in natural human voice, distinguishes between self

153 We take this opportunity to pitch in our opinions on tool benchmarking, in light of

154 the RNaseIII domain corresponds to the 21-nt pitch in the A-form duplex of a long dsRNA substrate, re

155 was that nonshifted syllables changed their pitch in the direction opposite from the shifted syllabl

156 The helicoidal pitch in the NTB phase is 18 nm.

157 despite exhibiting normal fMRI responses to pitch in their auditory cortex: (1) individual neurons w

158 rate can provide cochlear implant users with pitch information adequate for perceiving melodic inform

159 RAN in amusics, suggesting that attending to pitch information interferes with perception of pitch.

160 e been identified, little is known about how pitch information is extracted from the inner ear itself

161 peaking rate, amplitude, duration, and voice pitch information may be quite variable, depending on th

162 One way to provide pitch information to cochlear implant users is through a

163 Interestingly, the main melody (spectral/pitch information) is most often carried by the highest-

164 tom of assigning rhythmic functions to lower-pitch instruments may have emerged because of fundamenta

165 s.SIGNIFICANCE STATEMENT The question of how pitch is represented in the ear has been debated for ove

166 pain in young patients (< 25 years old), and pitching is a risk factor.

167 imately 15 nm-diameter nanoparticles, 100 nm pitch) is decorated by a model molecular system, consist

168 Moreover, performing a pitch-judgment task eliminated the ERAN in amusics, sugg

169 ve rather than perceptual processes, namely "pitch labeling" mechanisms, more likely constitute the b

170 , namely early "categorical perception" and "pitch labeling".

171 istics of CIM carbon prepared from mesophase pitch lead to outstanding performance of these sensors,

172 thickness, surface anchoring condition, and pitch length.

173 Similar results are shown for a pitching maneuver.

174 modelling suggests that changes in filament pitch mask or expose one binding site with filament-inhi

175 To investigate this possibility, pitch matching was conducted with 16 bilateral CI patien

176 ween sung speech with a constant or variable pitch; mean performance was better with CI-only relative

177 By changing the cholesteric pitch, mechanical compression provides tuning of the las

178 ibits all of the primary features of central pitch mechanisms demonstrated in humans.

179 revealed several primary features of central pitch mechanisms.

180 A significant facilitation of pitch memory was revealed when anodal stimulation was ap

181 No significant effects on pitch memory were found for anodal tDCS over the right S

182 ce of the left supramarginal gyrus (SMG) for pitch memory.

183 This pitch mismatch may be related to degraded binaural abili

184 eld the same perceived pitch, resulting in a pitch mismatch.

185 goal of this study was to determine whether pitch mismatches are prevalent in bilateral CI patients,

186 The results suggest that pitch mismatches are prevalent with bilateral CI users.

187 Pitch mismatches have been found for some bilateral CI u

188 The results also indicated that pitch mismatches persist even with extended bilateral CI

189 o corral prey [4,5] or to generate an upward pitching moment to counteract the torque caused by rapid

190 emonstrated that the auditory cortex encodes pitch more robustly in the higher of two simultaneous to

191 s information may be used to influence vocal pitch motor control.

192 Listeners extract pitch movements from speech and evaluate the shape of in

193 tic afferent terminals is greatly reduced in pitch mutants.

194 backscattering effect by comparing variable-pitch nanomeshes.

195 anomesh geometrical features (pore diameter, pitch, neck) was achieved through the alumina template,

196 ies, while delivering a significantly higher pitch-normalized current density-above 0.9 milliampere p

197 ide-semiconductor compatible, have a minimum pitch of 200 nm and can be fabricated with a single lith

198 y the underlying movements (for example, the pitch of a note or velocity of a reach) to improve outco

199 cate that the single helices have a periodic pitch of approximately 100 nm and consist of oblong gold

200 llow cylinder that extends by increasing the pitch of each spectrin repeat, which decreases the inter

201 The perception of the pitch of harmonic complex sounds is a crucial function o

202 one is dominated by resolved harmonics; (ii) pitch of resolved harmonics is sensitive to the quality

203 rrays with a periodicity that matches half a pitch of the cholesteric phase.

204 - or right-handed twist without changing the pitch of the formed helix.

205 further demonstrate that by controlling the pitch of the nanoslit arrays, it is possible to achieve

206 w band gap can be controlled by the size and pitch of the quantum dots in the superlattice.

207 ith polyheterotopic linkers, and second, the pitch of the resulting helical SBUs may be fine-tuned ba

208 As the pitch of the spiral order varies across the 3d transitio

209 rows provide information about the relative pitch of the surface regardless of distance.

210 e quality of spectral harmonicity; and (iii) pitch of unresolved harmonics is sensitive to the salien

211 Pitches of the concurrent HCTs could also be temporally

212 s, we manipulated the fundamental frequency (pitch) of auditory feedback in Bengalese finches (Lonchu

213 The effects of head pitch on vertigo and previously reported nystagmus are c

214 opening up possibilities for half-wavelength-pitch optical-phased arrays and ultra-dense space-divisi

215 whether two sequential tones share the same pitch or location depending on the block's instruction.

216 nces were interspersed with infrequent voice pitch or non-adjacent rule deviants.

217 cal regions most responsive to variations in pitch or timbre at the univariate level of analysis were

218 ind that small manipulations altering either pitch or timbre independently can drive melody recogniti

219 ant attribute of timbre), with the degree of pitch or timbre variation in each sequence parametricall

220 wever, patterns of activation in response to pitch or timbre variations were discriminable in most su

221 ical regions responsive to changes in either pitch or timbre, but also reveal a population code that

222 rent brain regions preferentially coding for pitch or timbre, whereas other studies have suggested a

223 were identical along the dimension of either pitch or timbre, while the perceptual distances along bo

224 fundamental frequency (eliciting changes in pitch) or spectral centroid (eliciting changes in bright

225 one of three dimensions: auditory location, pitch, or visual brightness.

226 superoinferior direction and 7.21 degrees in pitch orientation.

227 n based on discrete measurements of the body-pitch orientation.

228 anteroposterior direction and 2.6 degrees in pitch orientation.

229 dicated that this high-voice superiority for pitch originates in the sensory periphery.

230 A pitch count of more than 100 pitches per week was shown to be a risk factor for acrom

231 ing simultaneously may differ in their voice pitch, perceiving the harmonic structure of sounds is ve

232 Whether the underlying mechanisms of pitch perception are unique to humans, however, is unkno

233 e that amusic individuals with a substantial pitch perception deficit exhibit clusters of pitch-respo

234 from the cortical regions most implicated in pitch perception in normal individuals.

235 ssumption that poor high-frequency pure-tone pitch perception is the result of peripheral neural-codi

236 gest a candidate neural code underlying rate-pitch perception limitations often observed in CI users.

237 Thus, marmosets and humans may share similar pitch perception mechanisms, suggesting that these mecha

238 tion by AM rate was correlated with dominant pitch percepts in AMWN in many regions.

239 zed vowel sounds and received brief (200 ms) pitch perturbations at 100 Cents in their auditory feedb

240 that process natural human vocalizations and pitch perturbations in the auditory feedback.

241 mpensations in response to auditory feedback pitch perturbations.

242 s suggest that the two dimensions of musical pitch, pitch class and pitch height, are mapped to the h

243 Photomodulation of pitch, polarization, lattice constant and handedness inv

244 ERP study investigated whether the distinct pitch processing pattern for speech and nonspeech stimul

245 age or tonal foreign language, which rely on pitch processing.

246 CT angiography (CTA) obtained by using high-pitch prospectively ECG-gated "Flash Spiral" technique (

247 ation contours independent of each speaker's pitch range.

248 favour the migration of cells towards higher-pitched regions, which present increased planar area for

249 These results indicate that pitch regularities are represented in the cortex of amus

250 correlates with performance on a concurrent pitch-related behavioral task.

251 why amusics might be impaired at perceiving pitch relations despite exhibiting normal fMRI responses

252 altered, and (3) cortical regions outside of pitch-responsive cortex might be abnormal.

253 ry cortex: (1) individual neurons within the pitch-responsive region might exhibit abnormal tuning or

254 The ability to identify pitch-responsive regions in individual amusic subjects w

255 a stimulus contrast that reliably identifies pitch-responsive regions in normal individuals: harmonic

256 e with fMRI, (2) anatomical tracts that link pitch-responsive regions to other brain areas (e.g., fro

257 pitch perception deficit exhibit clusters of pitch-responsive voxels that are comparable in extent, s

258 ght ear that do not yield the same perceived pitch, resulting in a pitch mismatch.

259 esses of 6 and 4 mm, arranged with a 1.27-mm pitch, resulting in a useable field of view 28 mm long a

260 A pitch segmentation recognition method combined with diff

261 alculation speeds for recognizing all of the pitches segmented from a single sample image.

262 results are consistent with the existence of pitch-sensitive neurons that rely only on place-based in

263 In contrast, when this response followed a pitch shift, its magnitude was significantly enhanced du

264 ally likely to report an upward or downward 'pitch' shift between tones.

265 s hypothesized, error-corrective learning on pitch-shifted vocal gestures generalized to the same ges

266 ral HG, the power of high gamma responses to pitch shifts correlated with the magnitude of compensato

267 er study in the context of a pre-hospital or pitch-side test to detect brain injury.

268 haracterized for the ability to discriminate pitch (SP), duration (ST) and sound patterns (KMT), whic

269 microelectrode signature has been found at a pitch spacing of 60mum.

270 prospectively evaluated and underwent a high-pitch spiral acquisition CT scan.

271 It has been shown that (i) pitch strength of a harmonic tone is dominated by resolv

272 r signal-to-noise ratios as well as a higher pitch strength representation of the periodic part of th

273 d triplets of high-low-high (H-L-H) or L-H-L pitch structure: proximity deviant (H-H-H/L-L-L), revers

274 Despite the perceptual importance of pitch, the neural mechanisms that underlie it remain poo

275 Pitch, the perceptual correlate of sound repetition rate

276 ture and material properties such as helical pitch, the twist elastic constant, and the interfacial t

277 ed three key domains of auditory processing (pitch, timing and timbre) in a consecutive series of 18

278 l human languages regularly use intonational pitch to convey linguistic meaning, such as to emphasize

279 ll-documented capacity of dynamic changes in pitch to elicit impressions of motion along the vertical

280 be formed under the condition of a low teeth pitch to gap distance ratio.

281 Using these values we predict sound pitch to range from 350-800 Hz by VS modulation, corresp

282 presented simultaneous high-pitched and low-pitched tones in an isochronous stream and occasionally

283 e four fingers (one sequence had four higher-pitched tones).

284 wo deviants, they contain no low-probability pitch transitions.

285 Using an auditory stimulus whose pitch value changed according to specific rules, we cont

286 L) to fabricate gratings possessing multiple pitch values by subjecting photoresist-coated glass slid

287 on gratings possessing multiple simultaneous pitch values for surface enhanced infrared absorption (S

288 such as modulations in base pitch (F0M) and pitch variability (F0SD).

289 esolution alone may be sufficient to restore pitch via such implants.

290 mation) is most often carried by the highest-pitched voice, and the rhythm (temporal foundation) is m

291 ation) is most often laid down by the lowest-pitched voice.

292 Vertigo was most discomforting when head pitch was around 60 deg extension and was mildest when i

293 tion was measured using sung speech in which pitch was held constant or varied across words, as well

294 of 60 nm and spiral inductor coils of micron pitch we realize microwave resonant circuits with large

295 noscale craters of various aspect ratios and pitches, we show that the surfaces altered the cells' fo

296 terior HC and was only sensitive to vertical pitch, which could reflect the importance of the vertica

297 fforded by the CI limits perception of voice pitch, which is an important cue for speech prosody and

298 y waveguide integration at a half-wavelength pitch with low crosstalk.

299 he chroma of a tone or to produce a specific pitch without reference to keyality (e.g., G or C).

300 plore their visual environment with a series pitch, yaw and torsional (roll) rotations of their eyes,